frekkles:

Hognose twins by Bryan Box
being in a fandom long term: urrrrrrrrrrgh not this shitty argument again we've covered this

killer-cakepop:

Ishimaru is the new protagonist

yuki-menoko:

When the Pokemart doesn’t have the strongest potions

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davypark:

Sniper

ruk4ko:

happy birthday ishimaru! ♡

HOW TO PUT TOGETHER AN ANIMATION IN PHOTOSHOP

999999ukes:

soutki:

i get a lot of questions about this so i made a little step-by-step on how to use Photoshop to make an animation and export a gif. i hope it can help you! my explanation skills are terrible and my photoshop is in russian but don’t let that stop us from making some rad animations ay

so let’s make a little dog emoji together or something? alright!

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Read More

here is the photoshop step-by-step! thank you for waiting (u q u

komaedas:

By りょうさく
※Permission to upload this was given by the artist
no gf-ers grab your feels

shadyfolk:

amaipetisu:

A few tips everybody should consider. I’ve experienced all those and some more. I’m not good at english but I hope you get it. Go and support some artists out there and let them draw you nice shit. Not as nice as FairyNekoDesu but still will be cool so give them a chance and you’ll be surprised.

THIIIIS.

All of these things.

Especially the deadline. If you don’t have a deadline thats way in advanced it’s not gonna get done by then. I am almost always taking on a ton of projects at once and sometimes need a break from it to: work on stuff for me, work on stuff for friends, search for jobs, be the work slave of parents, actually relax and try to relief stress, technical difficulties, researching on how to do stuff, ect.

Sometimes it’s done in a day. Sometimes it’s done literally a year later. But I always update the people I work with so they know I haven’t forgotten.

Do NOT rush your commissioner. Let them work at their pace and it will be worth it. Rushing them insures a rush job which will very likely make the quality decline.

brook:

behold, the single greatest line uttered in television history

$100 is a lot of money for a single page.
Anonymous

jamaligle:

postcardsfromspace:

mooncalfe:

himteckerjam:

katyfarina:

fauxboy:

how much is a loaf of bread? hm? $3? $5? 

At my local grocery store, bread is about $4.50 for a decent size italian loaf. If I make $7.25 and hour, that means I’d have to work 37 and a half minutes for a Loaf of bread.

but hey, that’s not so bad right? Work two hours and you’ll have a sandwich, eh?

Oh hey, turns out I also need toilet paper, rice, chicken, some veggies, a can of soup, and some cereal. (to name a few basic groceries one might need on a budget) we’ll round those things down to $25 just to make the math easier.

at $7.25 an hour I’ll have to work about 3 and a half hours for basic groceries.

That doesn’t include bills or gas or all the other groceries I need, That’s ONE quick trip to the store and I already have to work half a day just for that.

You don’t understand Anon, my pages could take HOURS if not DAYS. Between the sketching, inking, colouring, lettering, and finishing it’s taken at least a full two day’s work if not longer for each page.

I have a job that pays me beans, I cannot afford to post more pages a week without compensation. I literally cannot afford to do that. Not to mention the idea that art is only worth minimum wage cheapens the amount of work and effort that goes into producing it. I should be making WELL ABOVE minimum wage for my art via page count and commissions but it’s this damn “deviant art” mindset that makes people feel like they’re being swindled for paying a livable wage to artists. It’s rude and childish and I ask that you please stop considering artists as less worthy of affording a normal life.

You can either pay me what I ask for what you want or stop complaining about what I already give you for free.

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I cannot fucking stand people who tell illustrators that something they produce is too expensive.

Yall motherfuckers want cheap? Go get some paper, get a fucking pencil and then draw it your motherfucking selves because nobody freelancing on the internet who hasn’t even half made it in the illustration world is charging you ANYTHING close to industry pricing even when some of us are as good if not better. Why? Because of people like Anon. Your name must be out there and known to charge anything close to what your time and skill is worth. Yet still? You are paying for my effort, my time, my blood, sweat and tears and a lifetime of learning my trade.

A cheap page for yo ass is a piece of paper I haven’t touched yet.

/rant

(As a freelancer I cannot staaaaaaaaaaaaaand people who pull this dogshit.)

$100 is pretty cheap for a page.

Basic math, for Anon up there: Break that $100 down into an hourly rate. Factor in materials. Factor in skill and schooling and experience. Bear in mind that a page rate *at all* means there’s a good chance it’s work-for-hire, which means that $100 a page might be all the artist gets, ever.

And then, when you’ve done that math, think about what that means in terms of how few comics artists make a living hourly wage.

Want a pro artist, anon? Pay them like a fucking pro.

I’d like to add the a professional of any stripe has the duty to themselves, and the right to charge a rate based on his skill level and the work he or she puts in.

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